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Echoes of Victory – Seven Years After Dracula

Jonathan: “Seven years since—Quincey’s death birthed our son, named for him. We revisited Transylvania; the castle’s silent. Our tale’s wild—no proof remains, but we know its truth.”

Chandraketu Tripathi profile image
by Chandraketu Tripathi
Echoes of Victory – Seven Years After Dracula


The tale closes on Kaeltripton! Last time, Dracula fell in a bloody clash—now, seven years on, Jonathan and Mina reflect on their victory, Quincey’s sacrifice, and a bittersweet peace, wrapping our journey with a poignant note. We’re serving this free slice of Dracula—the final word—with a teaser excerpt below, followed by the full text from pages 411 to 412 (or 418-419 in your upload)—a quiet epilogue to the storm.

We’ve dished out Dracula in chunks—this is the end, but grab a $ subscription to revisit the whole saga anytime, plus my takes on its lasting echoes. Ready for closure? Let’s look back!


Note by Jonathan Harker
Seven years ago we all went through the flames; and the happiness of some of us since then is, we think, well worth the pain we endured. It is an added joy to Mina and to me that our boy’s birthday is the same day as that on which Quincey Morris died. His mother holds, I know, the secret belief that some of our brave friend’s spirit has passed into him. His bundle of names links all our little band of men together; but we call him Quincey.
In the summer of this year we made a journey to Transylvania, and went over the old ground which was, and is, to us so full of vivid and terrible memories. It was almost impossible to believe that the things which we had seen with our own eyes and heard with our own ears were living truths. Every trace of all that had been was blotted out. The castle stood as before, reared high above a waste of desolation.
When we got home we got to talking of the old time—which we could all look back on without despair, for Godalming and Seward are both happily married. I took the papers from the safe where they have been ever since our return so long ago. We were struck with the fact that, in all the mass of material of which the record is composed, there is hardly one authentic document; nothing but a mass of typewriting, except the later note-books of Mina and Seward and myself, and Van Helsing’s memorandum. We could hardly ask anyone, even did we wish to, to accept these as proofs of so wild a story. Van Helsing summed it all up as he said, with our boy on his knee:—‘We want no proofs; we ask none to believe us! This boy will some day know what a brave and gallant woman his mother is. Already he knows her sweetness and loving care; later on he will understand how some men so loved her, that they did dare much for her sake.’
Jonathan Harker.


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Chandraketu Tripathi profile image
by Chandraketu Tripathi

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